As contractors and venues demand maximum return on investment, dual-purpose FOH and Monitors flexibility is now essential in a live sound console. MH2, the third desk in Soundcraft’s acclaimed MH Series, delivers all the critical mixing features of its siblings in a fixed frame format, achieving a performance/price ratio unheard of in any other console in its class.
Group or Aux on fader operation is selected at the touch of a button for familiar and uncomplicated operation. Soundcraft sound quality is guaranteed with the same mic preamp design used in the MH4 and MH3, classic British EQ and meticulous circuit design. And with important new features like separate line inputs on every channel, the argument for mixing with MH2 is compelling.
Four frame sizes are available, all with an integrated switched mode PSU which can be removed for easy maintenance. Naturally, a rear panel connector is provided to fit an external power supply for complete dual redundancy assurance.
Key Features:
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Frame sizes: 24+4, 32+4, 40+4 and 48+4
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Styling based closely on MH3/4, with a single-piece front panel
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MH3/4 mic amp design with 50dB range plus -20dB level shift and separate 1/4" Line input
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Swept high-pass filter and 4-band EQ (all bands swept)
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10 Auxes, of which 2 can be switched to create 1 x stereo send
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Pre/post fader switching in pairs (except 5-8 as one block of 4)
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8 full-time Group busses with paired routing
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LCR panning on inputs-mix
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8 VCAs and 6 Mute Groups
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4 Stereo Input channels with mic/line capability
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4 stereo line returns with 3-band fixed EQ, returns can route to output channels
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11x4 Matrix built-in
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10 x linear 60mm output faders, plus 8 rotary output faders with SWAP facility to allow linear faders to control either all 10 Auxes or 8 Grps and 2 Auxes
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Inserts on Groups and Mix outputs (Group insert moves between Grp & Aux)
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12-segment Input and Output metering
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Central assignment of VCA Groups, with individual LED displays per channel
Aux Output; 48 channels routed, input sends @ -∞, Aux fader 0dB
<-84dBu
Crosstalk
1kHz, +20dBu input signals
Input Channel muting
>95dB
Input fader cutoff
>90dB
Input pan pot isolation
>75dB
Mix routing isolation
>90dB
Group routing isolation
>90dB
Aux send off
>80dB
CMRR
Mono input
>84dB @ 1kHz
Input & Output Levels
Mic Input
+26dBu max.
Balanced Inputs
+21dBu max.
Balanced Outputs
+21dBu max.
Nominal Operating Level
0dBu
Input & Output Impedances
Mic Input
>2kΩ
All other Inputs
>10kΩ
Headphone Output
25Ω
Recommended Headphone Impedance
50-600Ω
All other Outputs
<75Ω
Oscillator
63Hz to 10kHz, variable level
HP Filter (Mono Input)
30-400Hz, 12dB/octave
EQ (Mono Input)
HF
1.2kHz - 20kHz, ±15dB, shelving
Hi-Mid
750Hz - 13kHz, ±15dB, Q=1.5
Lo-Mid
75Hz - 1.3kHz, ±15dB, Q=1.5
LF
30Hz - 500Hz, ±15dB, shelving
Metering
12-segment LED bargraphs for all inputs.
12-segment LED bargraphs for 8 Fader-controlled Outputs, plus LR & C.
Aux 9/10 metered via the LR meters.
Power Consumption
Mains Power: 48 Ch: 300W max
Operating conditions
Temperature Range
-10ºC to +30ºC
Relative Humidity
0% to 80%
Note: These figures are typical of performance in a normal electromagnetic environment. Performance may be degraded in severe conditions. All measurements refer to electronically balanced inputs and outputs with VCAs enabled. Input and output transformers may affect these specifications.